Growing up with divorced parents, 15-year-old Haeun is left completely alone after losing her mother. Before she has time to grieve, she is confronted with a stack of unfamiliar documents filled with terms she has never seen before. They are the paperwork and administrative procedures she must complete to settle her mother's affairs and begin living on her own, but they are overwhelming for someone still so young. Her aunt visits from time to time and offers to help, yet her kindness seems to come with hidden intentions. With no one else to rely on, Haeun decides to seek out the father she doesn’t remember. After finally tracking down his phone number, she nervously calls, but only hears the ringing tone. He never answers. She tries again using her late mother's phone, but there is still no response. As a last attempt, Haeun prepares to leave him a voice message, but no words come out.

Four women, who have lived for more than three decades within the confines of patriarchy and compulsory heterosexuality, gradually become entangled as they arrive at gender-queer and lesbian identities through different paths in life. Their testimonies and personal records, revealed through extended conversations and interviews, intersect with Adrienne Rich’s concepts of “lesbian existence” and the “lesbian continuum,” queer Korean history, letters, critical writings, and other diverse texts. The artist reconstructs these materials through acts of copying by hand, erasing, tearing, and repeated editing, creating an open narrative in which different times and voices intersect rather than binding personal memories into a single, complete story. Together with a professional performer, the participants transform emotions and memories that cannot be fully articulated through words or writing into movements of “swimming,” performing a language of the body in a public square. In this process, their bodies intertwine and question one another, moving toward what lies beyond language.

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During the Pacific War (1941-1945), a Korean young man, who has changed his name into Japanese Matsodo, volunteers to join the student army in support of Japan's militarism and is deployed in the Burmese front line. Despite his fellow Korean student soldiers' advice, he does not repent his behavior. He then gets to know Hurasen, a woman resistance soldier, who fights for the independence of Burma. Through her, he realizes at heart the sorrow and anger of the oppressed people. Then, finally, he turns his barrel toward the Japanese invasion army and joins the Burmese independence front. By the time, he meets the independence of Korea on the 15th of August.

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我们已经忘却了这条河流。2008年，随着四大江项目开工的消息传来，我搭起帐篷，开始拍摄因建造永州大坝而对内城江所做的改造。与防洪、保障水资源和改善水质等承诺无关，这条河失去了它原本的……

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언덕 위에 사는 까마귀 형제들은 재개발로 인해 극단 문을 닫아야 하는 위기에 봉착한다. 철거가 코앞이지만, 형제들은 마지막까지 공연하며 이 언덕을 지키기로 한다. 한편, 한 커플이 가파른 언덕을 오르고 있다.